Sarrita Hunn, managing editor
Sarrita Hunn is interdisciplinary artist whose practice includes writing, arts administration, teaching and curating. Over the last decade, she has worked with many artist-run spaces and projects across the globe from Andrea Zittel’s A-Z West in Joshua Tree, CA to Koh-i-noor in Copenhagen, Denmark. Additionally, she is the Director of the Summer Institute for Visual Arts at Drury University.
James McAnally, executive editor
James McAnally is an artist, curator and critic whose work seeks to create a space of expanded authorship and exchange, considering the role of the artist within a broader landscape of production, conception, and consumption. He is a founder, Co-Director, and Curator of The Luminary, an incubator for new ideas in the arts based in St. Louis, MO. In his artistic practice, he works as a part of the collaborative US English. He has lectured widely at venues such as Chatham University, (e)merge art fair, Washington University in St. Louis, the Pulitzer Foundation for the Arts, University of Missouri – Columbia and, most recently, served as a Visual Arts panelist for the National Endowment for the Arts.
In partnership with The Luminary, Steven Cottingham joins Temporary Art Review March-August 2015 as a writer-in-residence. Read his first essay: No one cares about art criticism: Advocating for an embodiment of the avant garde as an alternative to capitalism
Steven Cottingham is another artist. He has exhibited widely in both professional and guerrilla contexts, most recently in Havana, Glasgow, Brooklyn, Fredericton, Vancouver, Edmonton, and Saint John. In 2014 he curated the second Calgary Biennial—an exposition that appropriated billboards, classifieds, alleyways, and the sky itself in order to challenge conservative status quos. He is the author of Art Criticism, a four-hundred page transcription of all conversations overheard at a gallery vernissage. Currently he is writing—as so many have before—a book about art, love, and revolution. He is based in Calgary, Canada.
In ATLANTA: BURNAWAY is an Atlanta-based 501(c)(3) nonprofit organization dedicated to providing critical coverage and dialogue about arts in Atlanta and the Southeast since 2008. BURNAWAY’s mission is to provide critical coverage and dialogue about the arts in and from Atlanta and the Southeast to champion and support the vibrant creative communities in our region.
In CHICAGO: Sofia Leiby and Jason Lazarus are the founders and directors of Chicago Artist Writers, an online platform that asks artists and cultural producers to write traditional and experimental criticism serving under-represented arts programming in Chicago. By facilitating workshops hosted by critical writing professionals and utilizing an open submission/peer editing process for writing criticism, they encourage artist-writers (often at the beginning of their careers) to grow in terms of their personal art practice and their ability to read and energize the cultural field around them.
In DALLAS: A concise means to access contemporary art, Eutopia invites submissions of under 100 words to comment on works or exhibits. True to it’s name this notion is a naive gesture, elitist and immensely flawed, while it also strives to broadcast the pursuit of an ideal.
In BROOKLYN: Ortega y Gasset Projects (O y G) was launched in May 2013 as a gallery and curated project space in the Bushwick/Ridgewood neighborhoods of Brooklyn and Queens. Formed by artists living in California, Illinois, Ohio, Tennessee, Maryland, Pennsylvania, and New York, O y G operates as a cross-country collective and an incubator for dialog and artistic exchange.
In KANSAS CITY: PLUG PROJECTS is a curatorial collaboration by five Kansas City artists who share the mission of bringing fresh perspectives and conversation to the local art community. Our goal is to energize artists and the public at large by exhibiting challenging new work, initiating critical dialogue, and expanding connections of artists in Kansas City as part of a wider, national network of artists.