The month-long feature on St. Louis’s art community continues with a profile of The Luminary, an incubator for new ideas in the arts that doubles as Temporary’s Publisher.
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Articles
Netta Sadovsky writes that pop-up shows, temporary convergences of artists, communities, and unusual spaces, are on the rise in St. Louis.
Laura Elizabeth Barone reviews Ned Vena’s solo exhibition, a part minimalist, part Op Art, part Surrealist experience, at White Flag Projects through April 7.
The Transversal Project is a new exhibition system by artist Michael Powell placing digital works in the public sphere.
Jamie Kreyer’s Equivalents explores the physicality and disposability of contemporary photography this month at Good Citizen.
Editor James McAnally explores the possibility of a career as an artist outside of an artistic center in this introduction to the St. Louis March Feature.
Laura Elizabeth Barone discusses the intimacy and the ambiguity of John Stezaker’s collages, at the Mildred Lane Kemper Museum through April 23rd.
Laura Elizabeth Barone explores Tommy Hartung and Uri Aran’s naturally occurring verbal and thematic exchange at their recent exhibition at White Flag Projects.