“Why has one of the legendary pioneers of feminist art, and one of the most popular living artists in the USA, still not received recognition from hegemonic art institutions?”
Latest Articles
This conversation between Randall Szott and Sal Randolph began in the wake of Open Engagement, an annual conference on art and social practice held in Portland, Oregon in May of 2012 and is published as part of a series of conversations on social practice, criticism and the professionalization of art.
![Notes from Suomenlinna [curaticism]](https://i0.wp.com/temporaryartreview.com/wp-content/uploads/2016/04/boetti-mettere-al-mondo-il-mondo-1975.jpg?resize=335%2C256&ssl=1)
Notes from Suomenlinna [curaticism] is an evolving text exploring embedded critical strategies alongside curatorial research and contemporary socio-political spheres.
For Document V, Ryan Thayer: Dayparting consists of a photograph, sound and online playlist of music selected by Temporary Art Review contributors.
INTERVIEWS
Over the last ten years, Daphna Saker Massey has taken elements from expressive arts principles and contemporary art practices to..
In September 2018, I saw Demian DinéYazhi´ perform their long-form prose poem, AN INFECTED SUNSET, with musician Holland Andrews at..
Leora Fridman interviews The Feminist Health Care Research Group Berlin (FHCRG) who engage a constellation of topics around the politics of illness and healthcare.
PROFILES
RM is an artist-run space, project office and archive. RM is a gallery that places the work of local emerging artists alongside more seasoned practitioners. RM seeks to engage with the practices, discourses and modes of presentation that aren’t well-supported or easily accessible in Auckland.
The first artist residency in the heart of Athens engaging with international and local artists.
Design studio, project space, bookstore, curatorial office, niche publishing house, and micro-laboratory for urban aesthetics and collaborative thinking in Auckland, New Zealand.