The Work of the Institution in an Age of Professionalization
Slow Criticism: Art in the Age of Post-Judgement
Movement Building for Beginners
Belaboring the Fringe: in lieu of an Artist Statement
Sustainability is not Solidarity: Superscript & the Economies of Art Writing
Muse as Critic, Returning the Gaze from the Pedestal
No one cares about art criticism: Advocating for an embodiment of the avant garde as an alternative to capitalism
Back to the World Itself: Photography as Exposition (with a Postcript on the Politics of Art Criticism after the US Election)
Photography has never been content to simply represent the world. From Moholy-Nagy’s early photograms to their rediscovery and resurgence around..
Future Climates/The School of Redistribution: Ethics, Economics, and Precarity in the Contemporary Art World
My introduction to the programming of Future Climates’ The School of Redistribution at State of Concept Athens was a fitting..
Composed in the four-to-six minute interval of photographic exposure, Hadi Fallapisheh’s photograms are an amalgam of processes, fictions, and stratified..
New Unions: Act I-V took place over three days this past January at Hebbel am Ufer (HAU) in Berlin and was developed by Studio Jonas Staal as an artistic and political campaign.
A few months ago during a radio interview, I was asked whether or not I think all artists should be..