Larry Krone takes the intimate and everyday and makes it present and teeming with energy, writes Laura Elizabeth Barone.
Reviews
Articles
Clara Van Zanten reviews ˚ (read “Degree”) by Stephen Cartwright and Andrew James, at the Luminary Center for the Arts through May 11.
Smartly modeled after a “mixed tape,” Tommy Becker presents an unevenly successful series composed of two sides and twenty-five tracks.
When I hear that a celebrity is doing art on the side, I assume it’s terrible.
The exhibition “The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1991,” is an important survey of work by female artists.
Laura Elizabeth Barone explores the singular materiality of Brandon Anschultz’s work, on display at the Contemporary Art Museum in St. Louis through April 22.
Laura Elizabeth Barone reviews Ned Vena’s solo exhibition, a part minimalist, part Op Art, part Surrealist experience, at White Flag Projects through April 7.
Jamie Kreyer’s Equivalents explores the physicality and disposability of contemporary photography this month at Good Citizen.