Netta Sadovsky reviews Craig Wedderspoon’s ‘biotextural’ forms currently on view at Good Citizen in St. Louis.
Reviews
Articles
Over the course of our week long mini-feature on the San Francisco Bay Area (July 22-28, 2012) Curiously Direct (aka Aaron Harbour) posted exhibition reviews directly to Temporary Art Review’s Facebook page.
PSTL, the long-standing alternative gallery outpost on the Western edge of Grand Center, is closing its doors with a solo show by White Flag Projects founder Matthew Strauss.
Sean McFarland’s loosely gridded installation of fifteen black and white images at first appears as rather straightforward landscape photography. However, in various media and techniques McFarland employs alteration, duplication, and substitution to make the work deceptively complex.
Keith Mosier’s first show at PHD gallery presents the stark beauty of the Miami Art Deco District’s historic hotels.
Takashi Horisaki’s installation is physically made up of colored latex casts of items people hold dear, but is essentially made up of the much more braving stuff of community stories.
“Camp Out,” at Laumeier Sculpture Park through September 16, asks what is a house, what is a home, and what it is exactly that we need to feel settled in one.
Laura Elizabeth Barone surveys the 2012 Great Rivers Biennial, which provides 3 emerging and midcareer artists significant financial awards and a collaborative exhibition at the Contemporary Art Museum St. Louis.