In White Flag Project’s Day of the Locust, curator Jessica Baran exhibits a group of artists whose work faces the promises, failures, and frustrating workings of the art world and its place in the illusionary American Dream.
In White Flag Project’s Day of the Locust, curator Jessica Baran exhibits a group of artists whose work faces the promises, failures, and frustrating workings of the art world and its place in the illusionary American Dream.
Opened in 2004, the Stanlee and Gerald Rubin Center for the Visual Arts presents exhibitions of contemporary art that encourage adventuresome thinking and dialogue. The center serves as a learning site for students from the University of Texas at El Paso (UTEP) and the surrounding community.
Basement Films is a non-profit, volunteer-run organization that supports experimental, independent, and under-represented forms of film and video making.
Yes, lots of Texas money was flying around, making artists and gallerists giddy, but much of the Houston friendliness and warmth was at the Texas Contemporary Art Fair too…
Leora Fridman interviews The Feminist Health Care Research Group Berlin (FHCRG) who engage a constellation of topics around the politics of illness and healthcare.
RM is an artist-run space, project office and archive. RM is a gallery that places the work of local emerging artists alongside more seasoned practitioners. RM seeks to engage with the practices, discourses and modes of presentation that aren’t well-supported or easily accessible in Auckland.
The first artist residency in the heart of Athens engaging with international and local artists.
Design studio, project space, bookstore, curatorial office, niche publishing house, and micro-laboratory for urban aesthetics and collaborative thinking in Auckland, New Zealand.