Memory Old and New continues Brett Williams’s abiding interest in the absurdities of contemporary modes of communication in the form of a mini audiovisual monument at Bruno David Gallery.
Memory Old and New continues Brett Williams’s abiding interest in the absurdities of contemporary modes of communication in the form of a mini audiovisual monument at Bruno David Gallery.
Has economics become the dominant mode of artistic action of our time? From Sotheby’s and e-flux, to W.A.G.E. and Free Cooper Union, the market, protest movements, and the model of the artist-as-entrepreneur threatens to overwhelm art’s social and aesthetic aims.
Artists feel stuck: under-recognized for all the activities they are actually doing and over-commodified as the great force behind “hipsterism.” Resistance seems futile.
In “A Willing Transfer of Belief” at Johansson Projects, Michelle Blade and Hillary Wiedemann present works that investigate the intangibility of being and light.
Leora Fridman interviews The Feminist Health Care Research Group Berlin (FHCRG) who engage a constellation of topics around the politics of illness and healthcare.
RM is an artist-run space, project office and archive. RM is a gallery that places the work of local emerging artists alongside more seasoned practitioners. RM seeks to engage with the practices, discourses and modes of presentation that aren’t well-supported or easily accessible in Auckland.
The first artist residency in the heart of Athens engaging with international and local artists.
Design studio, project space, bookstore, curatorial office, niche publishing house, and micro-laboratory for urban aesthetics and collaborative thinking in Auckland, New Zealand.