Renan Laru-an considers the artworld’s cynical consumption of the global periphery and the horizons of exchange between contexts.
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Drag, Rape Gaze. Ghost Drone. Zombie Rave. Goth-Juke. Grave-Wave. These, and endless other, illustrative and occasionally vulgar terms describe what many call Witch House, a genre of geographically unhinged electronic based music. This is the first in a series of essays on Witch House music featured throughout October.