Temporary has organized a social response to the expansive and complex State of the Art exhibition at Crystal Bridges, which will invite the exhibition’s curators, participating artists and a call for critics and audiences to respond to the show through a continually evolving text.
I am for an artist who vanishes takes Claes Oldenburg’s 1961 manifesto and recent developments in socially-engaged art to explore the collective life of art as it leaves the CV of the artist and enters a broader field.
Mary Coyne concludes coverage of the 2014 Open Engagement Conference on May 16-18, 2014 at the Queens Museum.
e-flux’s recent bid to secure the .art domain has brought with it questions about curation online and the domain as a legitimation system.
The ambitious new Crystal Bridges Museum of American Art in Bentonville, Arkansas offers a complicated and conflicted projection of its public and its collections.
On April 12th and 13th, the annual Inland Symposium, titled CST: Central Standard Time, will look at cultural production in the Midwest and examine its contribution to the nation’s art and visual culture.
The month-long feature on St. Louis’s art community continues with a profile of The Luminary, an incubator for new ideas in the arts that doubles as Temporary’s Publisher.
Editor James McAnally explores the possibility of a career as an artist outside of an artistic center in this introduction to the St. Louis March Feature.