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Tag Archives: Crystal Bridges Museum of American Art
James McAnally continues Temporary Art Review’s “social response” to Crystal Bridges’s ambitious “State of the Art” exhibition.
Alberto Aguilar gives a factual account of his experience at the “State of the Art” Opening at Crystal Bridges as a part of our ongoing ‘social response’ to the exhibition.
Shanai Matteson of Works Progress responds to the context and history of her collaborative Water Bar project’s inclusion in the State of the Art exhibition at Crystal Bridges.
Temporary has organized a social response to the expansive and complex State of the Art exhibition at Crystal Bridges, which will invite the exhibition’s curators, participating artists and a call for critics and audiences to respond to the show through a continually evolving text.
The ambitious new Crystal Bridges Museum of American Art in Bentonville, Arkansas offers a complicated and conflicted projection of its public and its collections.