In this essay, published in collaboration with Number, Matt Christy imagines the act of painting as a polite refusal against the instrumentalization of labor and knowledge.
Tag Archives: Clement Greenberg
“How, in what kind of painted space, do you let yourself roam?” In “Other Criteria” (1972), Leo Steinberg rejects Clement..
Like many critics, Schjeldahl positions groups like Chicago’s Hairy Who or the Bay Area’s Funk Artists in relation—specifically, in opposition—to their New York contemporaries. Such a positioning, however, is delicate…