Joint Accounts, a weekend retreat at Paul Artspace facilitated by artist/organizer Tori Abernathy and yogi Katie Rodgers, tasked participants to envision “a present and future based on cooperation, non-work, festivity, and health,” a world in which we decouple work from our jobs.
Henry Osman considers the emancipatory propositions and potential pitfalls of accelerationism outside of global financial capitals.
“Broadcasting the Archive” is a project arose from the urgency to spread the Arte Útil archive, a project initiated by Tania Bruguera, beyond the institution which hosts the material.
Margaret Keller reviews Ken Wood at beverly and and Peter Pranschke at fort gondo compound for the arts in St. Louis.
Amelia-Colette Jones reviews Hélène Baril’s “You are the last of the Cadillac” at Museum Blue in St. Louis.
Daniel Stumeier reivews Kahlil Irving and Erica Popp’s two-person exhibition at the new Reese Gallery in St. Louis.
Anne Thompson’s I-70 Sign Show is public art project installing socially-sensitive artwork by contemporary artists onto billboards along I-70.
A first-hand account of our editor’s arrest and detention at a peaceful protest following the no-indictment decision of Darren Wilson in Ferguson, MO on November 25th, 2014.