Film artists Filipa César and Louis Henderson trace the trajectory of optical technology throughout history in “Op-film: an archaeology of optics” at Gasworks.
Reviews
Articles
Abe Ahn reviews “I can call this progress to halt” at LACE, considering gestures of protest or unrest featured in the exhibition, which offer ways to surface new social relations and the potential for a commune untethered to time and place.
Making Plans, organized by Kyle Bellucci Johanson and Matthew Lax at Human Resources in Los Angeles, decommissions the ruling that ‘there is no alternative’ by reminding us that to conceive of possible futures, we must first assess our present.
Over the past few months we have witnessed both of those notions shift – on the one hand, America has..
In De Ruimte is an artist-run space situated in the outskirts of Gent, Belgium. Six art practitioners run and organize..
Ilethia Sharp reviews Mohau Modisakeng’s recent solo exhibition at Laumeier Sculpture Park, curated by Marilu Knode.
Offering multiple vantage points on the fraught histories of migration and modernity, Dawit Petros’s photographs and video works at the H&R Block Artspace invite reflection on the visible and invisible borders that separate us from others.
Amelia-Colette Jones reviews Addoley Dzegede’s Fare Well, the final show at St. Louis’s fort gondo compound for the arts on Cherokee Street.