The Midtown galleries offer a sense of cohesion in the sprawl of Houston and March is a good month on Main Street.
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Most exhibitions organized at The Pulitzer Foundation for the Arts feature a curatorial premise relating to the building as muse. The “Dreamscapes” exhibition is another inquiry into the museum as muse, or in this case, the rock as muse.
A low-frequency tone permeates Queens Nails Projects. It’s a dreadful hum: doomy and gloomy, a humid sort of white noise hanging heavy in the atmosphere. Simultaneous presence and absence is the logic that rules in artists Facundo Argañaraz’s and Chris Hood’s exhibition, “The Immortal.”
As the weather dips and peaks in Saint Louis’ notoriously unpredictable months from February to May, Laumeier Sculpture Park will be host to Jessica Stockholder’s spring-like exhibition, “Grab grassy this moment your I’s.”