“Analogue,” the new show at The Luminary Center for the Arts, calls attention to unattractive repercussions of progress with a Coke bottle filled with motor oil and shopping carts stuffed high with hollow space-filling structures.
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I recommend going alone to the new Craft Alliance on Grand, where recent MFA graduate Kristin Fleischmann’s work reflects upon what it means to feel united with something…and to feel apart.
Bob Newland’s photographs recently on view at the People’s Gallery capture the agony and ecstasy of the American rodeo. However, the photographs themselves tell only half of the exhibition’s story.
While the exhibition statement makes vague observations about “paintings that are similarly engaged in what the image is about,” the exhibition pulls together a thoughtful range of abstract painting from here to Brooklyn and into Canada.
Regional energy and narratives have a dynamic presence in “Local Histories: The Ground We Walk On,” beginning with the exhibition building itself.
The advertising firm Ogilvy and Mather seems an unlikely venue for challenging exhibitions of recent contemporary art. However, this sprawling space offers many surprises for the unexpecting visitor.
Cherokee Street has been the de facto artist-run capital of St. Louis for the past several years, hosting an energetic and ever-changing roster of DIY galleries, co-ops, studio spaces and community activism. On Friday, March 18th, the street remade itself once again for the SGCI Conference.
Bravo St. Louis! On the eve of Super Moon, Cherokee Street got it together.