A reflection on Erin Hayden’s solo exhibition “Hold Me” in relation to Bonnie Honig’s “Public Things: Democracy in Disrepair (Thinking Out Loud)”, Abraham Lincoln in the Land of Lincoln, democracy, play, and the public.
Reviews
Articles
Kimia Maleki reviews Nazafarin Lotfi’s solo exhibition “Negative Capability” at Regards, Chicago
“DMYCC,” the first UK exhibition of New York-based artist Sean Vegezzi, was organized by roaming projects and took place in a former railway archway in London.
DEEP TRASH in the Underworld was held as a live art and club night-cum-exhibition organised by CUNTemporary, a non-profit organisation that provides a stage for queer and feminist research and art practices.
Joe Kohlburn reviews Margaret Keller’s “Surveillance Series,” on view now at Gallery 210 in St. Louis, MO.
Mike Calway-Fagen reviews Abigail Lucien’s recent solo exhibition, Drupe, at Seed Space in Nashville.
The exhibition Spiritual Reality by the Lou Cantor, at the non-profit and artist-run space Decad in Berlin, tackles the evolving human-robot relation from a socioeconomic perspective.
Elizabeth Metzger Sampson considers Lindsey Dorr-Niro and Lisa Vinebaum’s mirroring exhibitions at Sector 2337 in Chicago.