Considering what power does to ‘reality’, this three-part text aims to consider instituent practices by artists and organisations as they seek not to just represent the real, but actively to (re)make it.
London
Articles
Considering what power does to ‘reality’, this three-part text aims to consider instituent practices by artists and organisations as they seek not to just represent the real, but actively to (re)make it.
Considering what power does to ‘reality’, this three-part text aims to consider instituent practices by artists and organisations as they seek not to just represent the real, but actively to (re)make it.
Valentina Sansone interviews London-based collaborative, They Are Here, about civic practice, precarity, and their recent projects on contract work and speculative finance at Tate Modern and Konsthall C.
“DMYCC,” the first UK exhibition of New York-based artist Sean Vegezzi, was organized by roaming projects and took place in a former railway archway in London.
DEEP TRASH in the Underworld was held as a live art and club night-cum-exhibition organised by CUNTemporary, a non-profit organisation that provides a stage for queer and feminist research and art practices.
Sophie Dyer and Sasha Engelmann tell the speculative story of a ‘radio fossil’: a radio-borne image that traverses the bounds of Earth’s surfaces, elements, atmospheres and techno-geographies.
Film artists Filipa César and Louis Henderson trace the trajectory of optical technology throughout history in “Op-film: an archaeology of optics” at Gasworks.