Gotong Royong’s focus on ‘togetherness’ may harken current moments of collective resistance, but it can also be read as a reaction to earlier Polish leftist avant-garde artists…
New World Embassy: Rojava
The Work of the Institution in an Age of Professionalization
Slow Criticism: Art in the Age of Post-Judgement
Movement Building for Beginners
Belaboring the Fringe: in lieu of an Artist Statement
Sustainability is not Solidarity: Superscript & the Economies of Art Writing
Muse as Critic, Returning the Gaze from the Pedestal
No one cares about art criticism: Advocating for an embodiment of the avant garde as an alternative to capitalism
Essays
Articles
Museums were trapped. Artists were trapped. Nonprofits were trapped. Social entrepreneurs were trapped. This feeling was one of the major sparks for the Occupy Movement…
Presentation on “Visions of the Future” (poster designs by Invisible Creature for NASA, 2015) from the “Uncertain Futures from the Uncertain Past” conference at Maria State University, Quadrant Charlie, The Moon, 15th October 2117.
Provoked by the discontent over the current state of collections and collecting practices, Collection Collective proposes an alternative model in which the artists and cultural workers themselves could safeguard, determine and benefit from a collectively owned and managed art collection.
The ANS synthesizer is not what one would call an elegant instrument. It looks like a nightmare of a piano-forte..
There is no lack of art which challenges existing conditions and makes propositions for new ways of living and working together – yet all too often these practices are strictly supported and celebrated in the realm of programming, while our institutions neglect to learn from the radical practices that they propose.
Sophie Dyer and Sasha Engelmann tell the speculative story of a ‘radio fossil’: a radio-borne image that traverses the bounds of Earth’s surfaces, elements, atmospheres and techno-geographies.