Autumn Knight’s work is among the most dynamic, interesting, and under appreciated happening in Houston.
New World Embassy: Rojava
The Work of the Institution in an Age of Professionalization
Slow Criticism: Art in the Age of Post-Judgement
Movement Building for Beginners
Belaboring the Fringe: in lieu of an Artist Statement
Sustainability is not Solidarity: Superscript & the Economies of Art Writing
Muse as Critic, Returning the Gaze from the Pedestal
No one cares about art criticism: Advocating for an embodiment of the avant garde as an alternative to capitalism
Essays
Articles
Concluding our Philadelphia feature, Annette Monnier surveys the state of her adopted Philadelphia community and the potential for the artist-spaces in the city.
Matthew Rosenfeld addresses the complex questions surrounding the Living Walls controversy in Atlanta in which a number of commissioned murals received community backlash and have subsequently been painted over.
The beginning of the year is a time for manifestoes. We look back at 2012 and sketch out what is ahead in our year in review.
Conflicted by the distance of teaching from his studio, Michael Mercil decided to take advantage of The Ohio State University campus as his studio and in doing so asks, “What is the nature of the culture we produce here?”
Just in time for blizzard season, Sarah Peters surveys Art Shanty Projects, a long-standing art-meets-ice fishing tradition in Minneapolis transforming frozen lakes into artist-driven temporary communities.
Minneapolis stalwart David Peterson surveys his transformation from the Director of art spaces Art of This and Dressing Room to his new eponymously titled commercial gallery.
There are lots of glowing write-ups of Elsewhere as a living museum, as an artist residency, and as a thrift store where nothing is for sale, but here I aim to highlight its use of play to imagine a new politic, and the complex alternative economy and micro-utopian social experiment that have resulted.