As part of our ongoing ‘social response’ to Open Engagement, founder Jen Delos Reyes documents the origins and evolutions of the influential platform.
New World Embassy: Rojava
The Work of the Institution in an Age of Professionalization
Slow Criticism: Art in the Age of Post-Judgement
Movement Building for Beginners
Belaboring the Fringe: in lieu of an Artist Statement
Sustainability is not Solidarity: Superscript & the Economies of Art Writing
Muse as Critic, Returning the Gaze from the Pedestal
No one cares about art criticism: Advocating for an embodiment of the avant garde as an alternative to capitalism
Essays
Articles
I’ll start by sharing how I came to organize The Artist as Debtor platform (artanddebt.org) with Coco Fusco. I actually first met..
There’s an increasingly old adage, first invoked by Brion Gysin, stating that innovations in writing are fifty years behind innovations..
Utopia School is a nomadic free-school and social center. Its mission is developing open curricula on Utopian thought and practice..
All cities are cities of neighborhoods, once you know them, but Baltimore’s has a particular street-by-street, block by-block sense of..
Trevor Shimizu is the third artist to show at Rowhouse Project, a curatorial project located at 2640 Huntingdon Avenue, Baltimore,..
Artist Organisations International brought together over twenty representatives of organizations founded by artists whose work confronts today’s crises in politics, economy, education, immigration and ecology.
I never really liked Henry Moore’s sculptures. Maybe because of their ubiquity and kind of obviousness – as emblematic of Modernism, of the institution, of Art History, and of ‘masculinity.’