Continuing our feature with guest editors ARTS.BLACK on race and privilege in the art world, Ryan Wong discusses the false safety of art spaces and the history of disruption by radical artists of color.
New World Embassy: Rojava
The Work of the Institution in an Age of Professionalization
Slow Criticism: Art in the Age of Post-Judgement
Movement Building for Beginners
Belaboring the Fringe: in lieu of an Artist Statement
Sustainability is not Solidarity: Superscript & the Economies of Art Writing
Muse as Critic, Returning the Gaze from the Pedestal
No one cares about art criticism: Advocating for an embodiment of the avant garde as an alternative to capitalism
Essays
Articles
from: Marilyn Volkman to: Steven Cottingham I hate that I wake up re-inspired by art almost everyday. Sometimes I think..
Can we be both critically and socially engaged? James McAnally addresses the critical and political implications of writing about socially engaged art.
Guest Editors Taylor Renee and Jessica Lynne of ARTS.BLACK frame their month-long feature on Art and Race as a part of an ongoing feature on privilege in the arts.
Last year, at Open Engagement 2014, the conference theme of “life/work” offered up two words that socially-engaged artists were more..
It is with an apology that I will start this correspondence…
With all the buzz over the last few years regarding Detroit as an emerging artist’s mecca, the question of the..
Artists Report Back is often dismissed by deans, faculty members, and artists alike as a “vocational” argument. They say that..