Notes from Suomenlinna [curaticism] is an evolving text exploring embedded critical strategies alongside curatorial research and contemporary socio-political spheres.
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New World Embassy: Rojava
The Work of the Institution in an Age of Professionalization
Slow Criticism: Art in the Age of Post-Judgement
Movement Building for Beginners
Belaboring the Fringe: in lieu of an Artist Statement
Sustainability is not Solidarity: Superscript & the Economies of Art Writing
Muse as Critic, Returning the Gaze from the Pedestal
No one cares about art criticism: Advocating for an embodiment of the avant garde as an alternative to capitalism
Essays
Articles
The Lucy R. Lippard Lecture is part of an ongoing project by artist/researchers Diana Smith and Kelly Doley that investigates pedagogical tools for reconsidering feminist art histories and futures.
Joint Accounts, a weekend retreat at Paul Artspace facilitated by artist/organizer Tori Abernathy and yogi Katie Rodgers, tasked participants to envision “a present and future based on cooperation, non-work, festivity, and health,” a world in which we decouple work from our jobs.
By allowing autonomy and assertion to work at once, ideas are presented while they resist being coopted or subsumed.
How are minimalist aesthetics utilized to assert a stance? How does the work allow autonomy to operate?
Henry Osman considers the emancipatory propositions and potential pitfalls of accelerationism outside of global financial capitals.
What does it mean for an artist to make works that are hard to see? As viewers, we cannot help..
Together we’ve been able to create a place where “artist” and “community leader” aren’t necessarily separate job titles.