Rado Ištok holds MA in Curating Art from Stockholm University and Art History from Charles University, Prague. Currently he participates in the course Decolonizing Architecture at the Royal Institute of Art, Stockholm. Recent exhibitions include I’m fine, on my way home now at Allkonstrummet, Stockholm (2017), In the Sky When On the Floor (2016, with Iliane Kiefer) at the Gallery Mejan, Stockholm, and Finding Neverland (2015, with Tereza Jindrová) for the Entrance Gallery, Prague. His editorial work includes the e-publication Decolonising Archives (2016) for L’Internationale Online, Queer Scandinavia (2015) for A2, and the forthcoming publication of Jacqueline Hoàng Nguyễn Crating the World: Displaced Myths, Desires and Meanings (2018). In 2017 he was awarded Across Residency in Nice, France; La Caixa travel grant to Spain, and a scholarship to participate in the Workshop for Emerging Art Professionals at Para Site, Hong Kong. Previously he worked as an assistant curator for Positions #3 at the Van Abbemuseum, Eindhoven (2016) and as an intern at SALT, Istanbul (2015) and Tensta konsthall, Stockholm (2015). He participated in the Salzburg International Summer Academy of Fine Arts (2014), and as a Danish governmental scholar he conducted research at the University of Copenhagen (2012-2013).