The last in our series on buzz-genre “Witch House,” this charticle (yes, charticle) proposes speculative relationships between a series of interrelated conceptual pairs that float in, out, through, around and between some of the philosophical and material historical conditions that may have fostered this categorical impulse…
“Self Expression Night: Bios_Fear” took up the form of performance art as fragmentary, fractured, durational, tactile, and, at times, multimedia.
A low-frequency tone permeates Queens Nails Projects. It’s a dreadful hum: doomy and gloomy, a humid sort of white noise hanging heavy in the atmosphere. Simultaneous presence and absence is the logic that rules in artists Facundo Argañaraz’s and Chris Hood’s exhibition, “The Immortal.”