From Ortega y Gasset Projects (O y G), Clare Britt interviews artist Susan Bee on her paintings exhibited in the recent exhibition, “The Sacred and Profane Love Machine” curated by Karla Wozniak.
All posts by Clare Britt
Unstable States, New Constitutions
Over the next year we will pursue parallel narratives under the framework Unstable States, New Constitutions in our first long term feature. Through this itinerary we aim to study our increasingly global instability as a method of learning and unlearning the present and gather the constellations and speculative forms rising from this constant state of crisis. We ask: Can this unprecedented moment of dissolution also be an opportunity for rearticulation and rearrangement?