Laura Elizabeth Barone reviews Pinholio, a juried exhibition of Pinhole Photography at Good Citizen Gallery.
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At Los Caminos, curator Cecilia Vargas presents four contemporary artists’ responses to how and why we view romantic love the way we do, offering insight and questions into how our own disillusionment plays out in actual relationships.
In White Flag Project’s Day of the Locust, curator Jessica Baran exhibits a group of artists whose work faces the promises, failures, and frustrating workings of the art world and its place in the illusionary American Dream.
“Your Silence Speaks Volumes,” a collaborative exhibition by Gaucha Berlin and Langley, unites the artists’ distinctive aesthetics in the “illusion of an isolated space.”
It always follows a kind of formula. An August off plus one week of classes followed by a holiday weekend..
Visual manifestations of UFOs are typically simple joinings of convex and concave discs, often envisioned at night, emitting ethereal light in an undetermined manner. Gregg Louis’s recent solo exhibition, “Down to Earth,” at Atrium Gallery explores the UFO as a symbol for, “an unknowable thing.”
In “Heterotopias/MATRIX 238,” at the University of California, Berkeley Art Museum (BAM), Desirée Holman addresses the fantasy and transformation that occur in virtual games such as Second Life.
In “Jim Schmidt presents: Abstraction,” a guest-curated exhibit at Philip Slein Gallery, 30 national and local artists meet in one space to create a populous, diverse and always surprising selection of contemporary abstract art.