New Unions: Act I-V took place over three days this past January at Hebbel am Ufer (HAU) in Berlin and was developed by Studio Jonas Staal as an artistic and political campaign.
The Work of the Institution in an Age of Professionalization
Slow Criticism: Art in the Age of Post-Judgement
Movement Building for Beginners
Belaboring the Fringe: in lieu of an Artist Statement
Sustainability is not Solidarity: Superscript & the Economies of Art Writing
Muse as Critic, Returning the Gaze from the Pedestal
No one cares about art criticism: Advocating for an embodiment of the avant garde as an alternative to capitalism
Ginevra Shay considers the work of St. Louis-based artist Lyndon Barrois Jr. ahead of the exhibition Sensible Disobedience: Disrupting Cultural Signifiers in a Neoliberal Age curated by Lynnette Miranda at Charlotte Street Foundation in Kansas City, MO.
Jessica Lynne discusses Des Moines based artist Jordan Weber ahead of the exhibition Sensible Disobedience: Disrupting Cultural Signifiers in a Neoliberal Age curated by Lynnette Miranda at Charlotte Street Foundation in Kansas City, MO.
Friendship has been and always will be the basis of political action. The point of prefiguration is bringing the future into the present and the primary way that we do this is in the forming and nurturing of our relationships with one another in the ways we enact them on a day-to-day basis.