Editor James McAnally considers the reemergence of the alternative space as a potential community past captial in this essay commissioned for PHONEBOOK 4, published by Threewalls.
New World Embassy: Rojava
The Work of the Institution in an Age of Professionalization
Slow Criticism: Art in the Age of Post-Judgement
Movement Building for Beginners
Belaboring the Fringe: in lieu of an Artist Statement
Sustainability is not Solidarity: Superscript & the Economies of Art Writing
Muse as Critic, Returning the Gaze from the Pedestal
No one cares about art criticism: Advocating for an embodiment of the avant garde as an alternative to capitalism
Essays
Articles
In order to define the ‘field’ that has been discussed throughout the recent Hand-in-Glove conference and launch of the national..
Johanna Breiding’s “Epitaph for Family” creates a queer spatio-temporal experience that collages the past (perfect, personal, singular) onto the present (continuous, universal, plural).
Continuing our ongoing social response, Hand in Glove co-organizer Shanai Matteson of Works Progress reflects on the intersections of organizing and self care in our shared precarious work.
Sometime in the last decade I was standing in the newly refurbished Rose Garden, tellingly, now, the Moda Center, no..
First published in OOMK, Lena Mohamed writes about her experience travelling from London to Chicago earlier this year to attend the Incite! Colour of Violence 4 conference, ‘Beyond the State: Inciting Transformative Possibilities’
Continuing our feature on Art and Feminism, Rosza Farkas considers forms of self-representation that use the Internet to mediate the self-image in Web 2.0.
Continuing our feature on Art and Feminism, Jordan Sarti considers Kate Durbin’s online performances, the work of being watched and economies of the body.